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Canyon Cinema 50, Art of the Real and Emile de Antonio in NYC, Week of 4/27 A few weeks ago my Twitter feed abruptly devolved into a long argument about The Canon: is it just an ossified collection of movies made by white men that should be junked? I don’t think The Canon is a fixed, immutable body of work, never to be added or subtracted to -- it’s being constantly reshuffled, with films and filmmakers rising and falling in prominence. Repertory houses have a major part to play in that process, which I note while in the position of wanting to commend a smattering o...
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